[清空]播放记录
关键词:罗伯特·西奥德梅克 埃德加·G·乌默 People on Sunday 剧情 喜剧 爱情
OK影视为您提供1930年由埃尔文·施普勒特施特塞尔 布里吉特·博尔夏特 沃尔夫冈·封·瓦尔特斯豪森 主演,罗伯特·西奥德梅克 埃德加·G·乌默 导演的《星期天的人们》/原名《Menschen am Sonntag》/又名《People on Sunday》电影在线观看,《星期天的人们》百度云网盘资源以及《星期天的人们》高清mp4迅雷下载,《星期天的人们》BT下载,希望您能喜欢!
酒代理商伏尔夫对大城市里一层不变的生活感到厌倦,他十分爱好社交。一天,他在街上偶然认识了一位配角女演员克丽斯特,两个人相谈很愉快,伏尔夫便邀请她星期天一起外出郊
Plot Summary:Edwin, a taxi driver, lives with Annie, a neurasthenic model. They plan to spend Sunday at the Nikolassee beach with Wolfgang, an officer, gentleman, antiquarian, gigolo, at the moment a wine salesman. After an argument, Annie stays at home while Edwin joins Wolf. Wolf has brought along a new girlfriend, Christl. Brigitte, Christl's best friend, joins the group. Brigitte is the manager of a record shop. At the beach Wolf tries to kiss Christl but she rejects him and he turns his attentions toward Brigitte, who is more receptive. Wolf and Brigitte go off together and he seduces her. Back on the beach, Wolf and Erwin, now tired of their dates, flirt with two other women as Brigitte and Christl look on, appalled. They have small satisfaction when the men have to borrow money from them to pay for the paddle-boat they were renting. As they part at the end of the day, Brigitte hopes Wolf will see her next Sunday, but he and Erwin have other plans. The bond between the two men is the one that counts. They have really spent the Sunday with each other. Edwin returns to his flat to find Annie still in bed. The next day he is driving his cab. Wolf is selling wine, and Brigitte is selling records, all waiting for next Sunday.
资源名称 | 类型 | 大小 | 下载 |
---|---|---|---|
People On Sunday 1930 1080p BluRay H264 AAC-RARBG | 下载 | ||
People.on.Sunday.1930.1080p.Criterion.Bluray.DTS.x | 6.68 GB | 下载 | |
People On Sunday 1930 1080p BluRay x264-aAF | 下载 |
资源名称 | 类型 | 大小 | 下载 |
---|---|---|---|
People.On.Sunday.1930.BRRip.XviD.MP3-XVID | 953.09 MB | 下载 | |
Menschen am Sonntag (1930) | 699.26 MB | 下载 |
不是,我这都啥时候下的片子.
德国横断面电影是所谓新客观派的一支,其实很尴尬的拍法,既不现实也不记录。四人郊外约会,打打闹闹,然后下周继续。展现魏玛政府时期的稳定局面,可惜浸淫着表现主义和古典史诗片成长起来的德国电影这时还不懂得什么叫现实主义,权且是个过度时期的尝试。
以星期天為背景,描寫了柏林的普通人在二十四小時里的生活細節,展現了城市人為逃避現實中的刻板生活而逃跑到郊外,卻並未得到真正的自由和解脫。影片鏡頭真實感極強,穿插的戲劇化情節也打破了作為默片的沉默。突然想起某樂隊一首歌中的某句歌詞:"誰能帶我去空島?!“
承前启后的影史意义,半记录体市井一角。
《星期天的人们》的纪实风格,对社会现实的展现,以及对业余演员的使用,使其不仅成为那个时期一部时代记录文献,而且是德国无声电影末期出现的现实主题电影潮流的一部重要作品,在德国现实主义电影史上占有特殊地位。入选了1995年评出的“最伟大的一百部德国电影”。比利·怀德参与编剧。
9.0;平淡是生活的不可抗力,如同电影的各种纷繁的形式语言都能够汇入纪录