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OK影视为您提供1971年由蒂姆斯·伯特姆斯 杰夫·布里吉斯 斯碧尔·谢波德 本·约翰逊 艾伦·伯斯汀 主演,彼得·博格丹诺维奇 导演的《最后一场电影》/原名《The Last Picture Show》电影在线观看,《最后一场电影》百度云网盘资源以及《最后一场电影》高清mp4迅雷下载,《最后一场电影》BT下载,希望您能喜欢!
故事发生在一九五一年的德克萨斯州,老牛仔桑姆(本·约翰逊 Ben Johnson 饰)在此地经营着一家电影院,成为了当地年轻人们回忆里无法抹去的一笔亮色。高中生
Plot Summary:In tiny Anarene, Texas, in the lull between World War Two and the Korean Conflict, Sonny and Duane are best friends. Enduring that awkward period of life between boyhood and manhood, the two pass their time the best way they know how -- with the movie house, football, and girls. Jacey is Duane's steady, wanted by every boy in school, and she knows it. Her daddy is rich and her mom is good looking and loose. It's the general consensus that whoever wins Jacey's heart will be set for life. But Anarene is dying a quiet death as folks head for the big cities to make their livings and raise their kids. The boys are torn between a future somewhere out there beyond the borders of town or making do with their inheritance of a run-down pool hall and a decrepit movie house -- the legacy of their friend and mentor, Sam the Lion. As high school graduation approaches, they learn some difficult lessons about love, loneliness, and jealousy. Then folks stop attending the second-run features at the movie house and the time comes for the last picture show. With the closure of the movie house, the boys feel that a stage of their lives is closing. They stand uneasily on the threshold of the rest of their lives. (The movie was adapted from the novel by Larry McMurtry).
青春的荷尔蒙气息带着年轻人的颓败迷茫,无处安放的蠢蠢欲动的爱情,ruth这个角色演的最出彩。
后劲很大。发现了一位又帅又优秀的男演员。126分钟导剪版
萧瑟、破败,褪色的青春风景,凋零的世间万物。其实和“电影”并没有太大关系,展示的只是一种人事皆非的苍凉情绪而已,可以发生在狂沙吹卷的德州小镇,也能够是任何步入衰亡的地方。
,夹杂了太多经历,一时不知从何说起,
美国版费里尼的浪荡儿们,都在他者身上投射一个美好的自己/“那真可怕,在你一生中认识一个知道你的价值的人”/德州小镇/万人迷坏女孩/工人阶级撞球厅男孩/肥胖妓女/智障瘦弱男孩/每个人都会怀念狮王山姆,他走后少年开始成长和互相伤害,河边钓鱼的昔日少女痛哭,电影院也迎来关闭/咖啡厅、撞球厅和电影院——小镇少年们唯三的娱乐与消费,不然就是去墨西哥或俄克拉荷马或达拉斯/唱着州歌和校歌,橄榄球少年们迎来毕业/和即赴越战的童年好友,看最后一场电影,西部不再/电视成为每一个被忽视成隐形的深闺女人最终的归宿—困在客厅
彼得博格丹若维奇是新好莱坞的怪胎,在古典好莱坞的迹象早已在新好莱坞的浪潮下销声匿迹之时,他却完成了一部对黑白影像的缅怀之作,深焦镜头,公民凯恩式的仰拍 而主角却是像卢卡斯《美国风情画》一样的年轻人,同样面对未来和前途的扑朔迷离与对性和爱情的渴望好奇,在这里却是完成了一次对好莱坞自身的意指,从radio,movie到television的无奈唏嘘转变成青年人的离散,那是50年代的情怀,关于战后一代的孤独与彷徨,初尝禁果的苦涩与懵懂被时代催熟的怅惘,更多的是借浪漫悲痛的苦情剧包裹一次媒介转型的悲伤,面对彩色电视的兴起电影就像红河之中被取代的约翰福特,更像衰败的撞球厅与一场纸月亮之中的葬礼,更是在德州为死去的西部片默哀,那依旧是如此萧条苍茫,酒吧,马刺靴,落寞的秋风,渐渐远离的年少。