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OK影视为您提供1968年由让·雷诺阿 亨利·朗格卢瓦 主演,埃里克·侯麦 导演的《路易斯·卢米埃尔》/原名《Louis Lumière》电影在线观看,《路易斯·卢米埃尔》百度云网盘资源以及《路易斯·卢米埃尔》高清mp4迅雷下载,《路易斯·卢米埃尔》BT下载,希望您能喜欢!
Eric Rohmer导演关于Louis Lumière的纪录片。访谈了法国导演Jean Renoir与电影手册创始人Henri Langlois。其中有很多珍
Plot Summary:Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière. The cinematographic pioneer Lumière produced thousands of documentaries in the end of the 19th century, but also some short comedies with amateur actors. The films are done in one shot and are only 1 minute in length. Lumiére and his operators chose a place, put up the camera and then recorded what happened in front of the lens. In spite of this both Renoir and Langlois argue that the films of Lumière are not simply reproductions of reality, but pieces of art. Renoir points out that Lumiére didn't just reproduce the externals of what he saw, but also its spirit and inner life. The films are not only showing a piece of contemporary reality, but Lumière's vision of that reality. Langlois remarks that the films of Lumière were not made at random, but out of a consciously chosen dramaturgy and composition. Lumiére and his team chose, after long deliberations, the motif of the film as well as the camera-angle. There is usually some kind of beginning and end of the film. The main action never occurs in the center of the screen, but either at the right or the left side of it. This means that the main movements happen along a diagonal across the screen, which produces a dynamic impression. The films are made in one shot, but the shots are usually very deep, which means that you get some close-ups in the foreground at the same time as you see something happen in full scale behind that and something else even more far away. The conversation with Renoir and Langlois is interspersed with some of Lumière's films, to underline the arguments.
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自己的外语水平好些就好了。对卢米埃尔兄弟的了解超出于教材中强调照相性、拍摄现实世界的观点,他们亦有虚构性,对于对象的选择及视点的调整都有思考,不仅仅是拍摄而已,即便是在电影诞生之初。
Henri Langlois的評述很好,chance/science。
B站有资源,但是没有字幕,我这法语水平,还看不懂诶。
对卢米埃尔实则兴趣缺缺的雷诺阿的勉力而“为”新浪潮,侯麦不为“朗格卢瓦事件(及至五月风暴)”所动后的唯一反应。前一次看应为Jeudi 10 avril 2014, 17h00 - Salle Henri Langlois.
1. 这就像是知识分子的沙龙,这期谈卢米埃尔。谈及的有他早期的一些拍摄摸索,如运动镜头,拍摄角度。他的纪实性质和意义。影响记录的意义比如当时巴黎、纽约、柏林影像的对比,可以给观众带来跨越空间的想象,而无声电影也给足了空间。电影跟艺术的重大区别就是真实。他们最后强调了胶片保存的意义。
影像与真实并存,事实得以即时呈现。世界纪录片从卢米埃尔开始。