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关键词:马可·贝洛基奥 Good Morning Night 剧情 历史
OK影视为您提供2003年由玛雅·珊萨 Luigi Lo Cascio Roberto Herlitzka 主演,马可·贝洛基奥 导演的《再见,长夜》/原名《Buongiorno, notte》/又名《Good Morning, Night》电影在线观看,《再见,长夜》百度云网盘资源以及《再见,长夜》高清mp4迅雷下载,《再见,长夜》BT下载,希望您能喜欢!
安娜是一个年轻美丽的女孩,却过着分裂的生活。白天的时候,她是办公室职员,晚上则去参加恐怖组织活动,为了创造理想的世界。然而,在恐怖组织谋划的一场绑架事件后,安娜
Plot Summary:The movie is based on a true story. On 16 March 1978 Aldo Moro, the former Italian Prime Minister was kidnapped in Via Fani by the Brigate Rosse (Red Brigades), a militant Communist Italian group. He was the main supporter of the Compromesso Storico (Hystorical Compromise), which had to lead to the first Italian government supported by both the Christian Democrats and the Communists, in a period of social, economic and political crises. During the attack his five escort agents were all killed. Moro's corpse was found on 9 May 1978 in a car parked in a street between the headquarters of the Christian Democrat Party and the Communist Party. This movie is inspired by this tragic event which traumatize the whole nation. It focuses mainly on the relationship between the prisoner and his guards through the eyes of Chiara, the young woman whose role is to guard the prisoner. The movie portraits Chiara's life (her job as a librarian, the ordinary household) on one side and the political process which is held against Moro by her friends on the other, while they are waiting for a revolution to come. She is drawn between these two aspects and she begins to doubt her political commitment (she cries when she listens to Moro's letter to the Pope). The news tell the people what is going on in Italy (some politicians ask for the death penalty for the kidnappers, the Pope Paul VI appeals to the terrorist for Moro's release). The State will not bend by accepting the conditions established by the terrorists to release the prisoner. The Brigate Rosse sentence Moro to death and the story comes to its tragic end, although the eyes and the heart of the imagination show Aldo Moro walking happy and free in Rome.
和Ferrara的前作放在一起,开头有一段两部电影惊人地同步(女成员的欢呼,Berlinguer的演讲),但随后它们变得惊人地不可调和(不是说事实层面上)这样的对比使两者都显得更加必要(?)而且可疑。(Herlitzka表现非常好,但是你会意识到Volonte'的Moro根本就不可能和这部片子共存,反过来也一样)
[No.2100]舒曼!想到题材难度就还是加一颗星,第三部贝罗奇奥,每次看他的作品都觉得他真是个温厚的聪明人,而且他的影像有低调而抚慰的力量。用小空间里的真幻融合来表现大事件很高招(有时候配乐略显太满),让我这种抱着上一堂意大利历史课心态的观众也能有自然的情感投入。
马可·贝罗奇奥《再见,长夜》1978年5月9日,曾先后5次出任意大利总理的天主教民主党领袖阿尔多.莫罗,在遭到左翼极端势力组织红色旅绑架并囚禁了55天之后,将其杀害。这是当年震惊全世界的特大事件,也是国际恐怖主义历史上血腥的一笔。本片根据此史实改编。两首pink floyd的迷幻大作让我瞌睡一醒。
焦虑怀疑
好大作
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