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关键词:阿瑟·佩恩 我俩没有明天(台) 邦妮和克莱德 抢钱夫妻 动作 传记 犯罪
OK影视为您提供1967年由沃伦·比蒂 费·唐纳薇 迈克尔·波拉德 吉恩·哈克曼 埃斯特尔·帕森斯 吉恩·怀尔德 主演,阿瑟·佩恩 导演的《雌雄大盗》/原名《Bonnie and Clyde》/又名《我俩没有明天(台) / 邦妮和克莱德 / 抢钱夫妻》电影在线观看,《雌雄大盗》百度云网盘资源以及《雌雄大盗》高清mp4迅雷下载,《雌雄大盗》BT下载,希望您能喜欢!
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Plot Summary:1934. Young adults Bonnie Parker, a waitress, and Clyde Barrow, a criminal just released from prison, are immediately attracted to what the other represents for their life when they meet by chance in West Dallas, Texas. Bonnie is fascinated with Clyde's criminal past, and his matter-of-factness and bravado in talking about it. Clyde sees in Bonnie someone sympatico to his goals in life. Although attracted to each other physically, a sexual relationship between the two has a few obstacles to happen. Regardless, they decide to join forces to embark on a life of crime, holding up whatever establishments, primarily banks, to make money and to have fun. They don't plan on hurting anyone physically or killing anyone despite wielding loaded guns. They amass a small gang of willing accomplices, including C.W. Moss, a mechanic to fix whatever cars they steal which is important especially for their getaways, and Buck Barrow, one of Clyde's older brothers. The only reluctant tag-along is Buck's nervous wife, Blanche Barrow, a preacher's daughter. The gang's life changes after the first fatal shot is fired. Following, their willingness to shoot to kill increases to protect themselves and their livelihood. Their notoriety precedes them, so much so that no matter what one's opinion is of them, most want to have some association to the Barrow gang, to help them, to be spoken in the same breath as them, or to capture and or kill them. Of the many people they encounter in their crime spree, the one who may have the most profound effect on their lives is Texas Ranger Frank Hamer, who is looking for a little retribution.
随风而来,随风而去;随性而生,随便而死(很喜欢突然响起的欢快的牛仔?音乐~
3.5/理念好的,做自己喜欢做的事然后平静地承受代价
我好嫉妒
我是邦尼,你是克莱德,我们是被警方追捕的雌雄大盗。我们没有明天,我们没有未来,我们只有现在。我的邦尼,我的克莱德,我们一起从生到死,直至灭亡,毫不犹豫。
旧好莱坞几十年来被压抑的反叛和大洋彼端的新浪潮
新好莱坞的开山之作,正如福柯所说:“重要的不是故事讲述的时代 而是讲述故事的时代”。《雌雄大盗》以三十年代的经济大萧条作为背景,讲述了邦妮与克莱德以及路途结识的伙伴一起逃亡与流浪的故事。而现实中作为六十年代末的好莱坞正是经历了落寞、低迷的阶段,加以民权、女权以及反战等社会运动,这种反抗、自由以及求新的观念是所被需要的。作为公路片、犯罪片,轻快的音乐调节着影片的节奏,但画报、报纸等媒介,以及社会议题等内核,其实是严肃的。克莱德的“性无能”以及怎样被治愈,对于当今的好莱坞以及美国社会仍旧显得重要。7分。