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关键词:莱奥·卡拉克斯 花都魅影(台) 巴黎圣骑士(港) 老千奥斯卡 悸动的冬青木 霍利车行 剧情 奇幻
OK影视为您提供2012年由德尼·拉旺 爱迪丝·斯考博 凯莉·米洛 米歇尔·皮科利 伊娃·门德斯 莱奥·卡拉克斯 主演,莱奥·卡拉克斯 导演的《神圣车行》/原名《Holy Motors》/又名《花都魅影(台) / 巴黎圣骑士(港) / 老千奥斯卡 / 悸动的冬青木 / 霍利车行》电影在线观看,《神圣车行》百度云网盘资源以及《神圣车行》高清mp4迅雷下载,《神圣车行》BT下载,希望您能喜欢!
黎明到夜晚,再从夜晚到黎明,奥斯卡先生在自己的生命中总是在不断地变换着角色。他时而是大老板、时而是杀手、时而是女乞丐、时而又是怪物或者是居家男人。就好像是旅途一
Plot Summary:We see a few seconds of a black and white, silent art film. There is a dark movie theater filled with people watching this film. The camera mostly remains on the audience. Cut to a man sleeping on twin bed with a sleeping dog next to another empty twin bed with the same sheets. He gets up and looks out the window and we see he is next to an airport. One of the walls is covered in wallpaper with skinny bare trees. He puts his ear to the wall. There is a hole in the wall and he looks through it but we don't know if he can see anything. He has a metal instrument on the middle finger of his right hand. He sticks the instrument into the hole in the wall. His hand shakes a little and he turns the instrument. This allows him to open a door in the wall. The dog joins him as he steps through the door. There is a set of double doors and he steps through them. It seems as though he has stepped through the fire exit on the balcony of a movie theater, presumably the theatre that the film opened in. The balcony is empty but the lower part of the theater is full. Cut to a new scene; daytime, a house, a family outside. The bids farewell to his children as he leaves for work. The man walks to a limo. The driver, Celine, is waiting for him. The man's name is Mr. Oscar.
资源名称 | 类型 | 大小 | 下载 |
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holy.motors.2012.1080p.bluray.dts.x265-10bit-taghd | 11.98GB | 下载 | |
神圣车行.2013.02.01.Holy.Motors.2012.BluRay.1080p.x264 | 11.02GB | 下载 | |
神圣车行.Holy.Motors.2012.DiY.BluRay.1080p.AVC.DTSHDMA | 42.79GB | 下载 |
一个社团/机构下,演员持续的委托表演,无所谓有无观众,爱好但有点倦怠,夹杂科幻设定,微小摄像头,纳米修复?关于影视行业本身的思考
想象力撒欢,在各种“奇怪”里悲伤,即使结尾撒了一点跳跳糖🍬我们都在不同的身份里丢失真相。
看不懂啊,啊,啊,唉,
人都傻了 无法评判
演员与人生和电影。
这回懂了为什么《彼得罗夫》和《草莓公馆》能链接到这一部了,但个人角度来说《神圣车行》不如它们好。Petrov有强悍的摄影和光线,暗示效果超过了叙事;草莓则是想象力和表现形式(动画、符号)非常抓人。二者的重点都放在了概念且在私人化方面呈现得非常成功。神圣车行某种程度上说还是太工整了,不是说不够飞,而是无论表达还是逻辑上都有些过于有条理了。而且这类电影不能找著名演员来演啊,他们都太老练太专业了,如果找生脸,那可能观感会好很多